Runo Lagomarsino

 

The virus alone does not discriminate, but we humans surely do, formed and animated as we are by the interlocking  powers of nationalism, racism, xenophobia, and capitalism.  It seems likely that we will come to see in the next year a painful scenario in which some human creatures assert their rights to live at the expense of others, re-inscribing the spurious distinction between grievable and ungrievable lives, that is, those who should be protected against death at all costs and those whose lives are considered not worth safeguarding against illness and death.

From “Capitalism Has its Limits” by Judith Butler

Are we the people we are waiting for?, 2012 Billboard, variable size, using a reproduction of Jean-Léon Gérôme's painting Bonaparte Before the Sphinx (1868), Malmö, Nicosia and Lissabon Photocredits: Bruno Lopes and Malmö Konsthall 

Are we the people we are waiting for?, 2012
Billboard, variable size, using a reproduction of Jean-Léon Gérôme's painting Bonaparte Before the Sphinx (1868), Malmö, Nicosia and Lissabon
Photocredits: Bruno Lopes and Malmö Konsthall 

Are we the people we are waiting for?, 2012 Billboard, variable size, using a reproduction of Jean-Léon Gérôme's painting Bonaparte Before the Sphinx (1868), Malmö, Nicosia and Lissabon Photocredits: Bruno Lopes and Malmö Konsthall 

Are we the people we are waiting for?, 2012
Billboard, variable size, using a reproduction of Jean-Léon Gérôme's painting Bonaparte Before the Sphinx (1868), Malmö, Nicosia and Lissabon
Photocredits: Bruno Lopes and Malmö Konsthall 

Como Si Fuera Piedra la Arena / As if the stones were sand, 2015. HD Video, 5 min

 
Como Si Fuera Piedra la Arena / As if the stones were sand, 2015. HD Video, 5 min

Como Si Fuera Piedra la Arena / As if the stones were sand, 2015. HD Video, 5 min

Every day people follow signs pointing to some place which is not their home, 2018 Performance project on the E line from Copenhagen Central Station to Køge and KØS Museum of Art in Public Spaces Photo credit: Mads Holm

Every day people follow signs pointing to some place which is not their home, 2018
Performance project on the E line from Copenhagen Central Station to Køge and KØS Museum of Art in Public Spaces
Photo credit: Mads Holm

For the Ghosts and the Raving Poets, 2013 Cable, lightbulb and candle, Variable dimensions Photo credit: B.Mauras /La Criée Installtion view: They Watched Us For a Very Long Time, La Criée Centre for Contemporary Art, Rennes

For the Ghosts and the Raving Poets, 2013
Cable, lightbulb and candle, Variable dimensions
Photo credit: B.Mauras /La Criée
Installtion view: They Watched Us For a Very Long Time, La Criée Centre for Contemporary Art, Rennes

More delicate than the historians are the map-makers colors, 2012 – 2013, HD video, colour, sound, 6’ 18’’

 
More delicate than the historians are the map-makers colors, 2012 – 2013, HD video, colour, sound, 6’ 18’’

More delicate than the historians are the map-makers colors, 2012 – 2013, HD video, colour, sound, 6’ 18’’

Runo Lagomarsino